![]() The rising of the Kundalini, its “sinking and soaring”, achieved through meditation and physical yoga, signifies spiritual awakening. She talks of wakening the “Kundalini” energy source, which is symbolised as a coiled serpent at the base of the spine. She refers to the energy centres of the body and energy rivers (“Nadis”) such as the Ida and Pingala. The poetess explains further her experience of the physical yoga tradition, which is first mentioned in the circa 3000 year old Rig Veda texts. The Vinayagar Agaval swiftly moves beyond contemplation of the feet to adoration of the face and body of the God.Īuvaiyar now moves away from contemplation of external form and the material universe into her metaphysical journey. Without beginning with the earthly shadow or foot print of the God one may not aspire to understand his totality. the Vinayagar Agaval begins with contemplation of the jewelled feet of the god: The feet are a symbol of grace. It begins with contemplation of the external form of the God. Bhani's experience too.Īuvaiyar’s poem is a many layered experience of philosophical concepts brought to life via devotional poetry. The Tamil Guardian posts at, carried the following piece that runs parallel to Dr.
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